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Art based on early hang gliders

Postby Everard » Sat Sep 26, 2020 2:42 am

This is my first painting (excluding digital paintings) since 1984 or 85. It is based on a photo that Leroy Grannis took at the 1974 U.S. nationals, held at Escape Country, California, in December. It is my first ever painting using acrylics (although I switched to acrylics for my plastic modelling a year or two ago) and my first painting on proper canvas.
Image
Larger image (too large for this forum, which seems to expand images):
https://everardcunion.files.wordpress.c ... resize.jpg

My painting of a Sun IV hang glider is based on a 1975 photo by Bettina Gray of her son Bill Liscomb, who tried out many of the latest designs of the time. (The original photo includes just such a partial eclipse of the moon.) It is my second painting using acrylic on canvas and my second painting (excluding digital paintings) since 1984 or 1985.
Image
Larger:
https://everardcunion.files.wordpress.c ... size-1.jpg

When it was work in progress:
Image
Larger:
https://everardcunion.files.wordpress.c ... iv_2ec.jpg
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Re: Art based on early hang gliders

Postby Bob Kuczewski » Sat Sep 26, 2020 7:52 am

Beautiful artwork!!!

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Sorry about the fixed image sizes of the forum. I find that a width somewhere around 720 looks pretty good on most devices. Here's one of your linked images at that size:

BobWills720.png
BobWills720.png (590.6 KiB) Viewed 427 times
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Re: Art based on early hang gliders

Postby Everard » Sat Oct 17, 2020 9:47 am

Thanks Bob!

Image
This is my third painting this century. It is one I have had in mind since I first saw the photo on which it is based in early 1975.

Here is my web page about it (with link to the full size photo of the painting) on my personal web site Brave Guys and Beautiful Dolls:
Painting the Eagle III

And here is my page about the real thing:
Scientific American hang glider in Hang Gliding History
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Re: Art based on early hang gliders

Postby Bob Kuczewski » Tue Oct 20, 2020 2:25 am

Great hang gliding history pages: https://hghistory.org/

It's very nicely organized.   :salute:
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Re: Art based on early hang gliders

Postby KaiMartin » Sat Oct 24, 2020 2:55 pm

Certainly a matter of taste - but i like the painting of the Sun VI best. The colour of the sail literally shines like a sun. Well done, Everard!

The description of the Eagle III on everardcunion.com makes me curious:
Why did the concept not catch on? Did it fail to deliver good flying? Or was it just too complicated with all the contraptions and a full blown tail plane?

---<)kaimartin(>---
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Re: Art based on early hang gliders

Postby Everard » Tue Oct 27, 2020 7:49 am

Thanks Bob. It should be well organized: I spent the last 20 years as a technical author (and before that as a programmer) so I have no excuse for making a mess of it.

KaiMartin:

I also like the colors of the Sun IV. They are completely made up though. Bettina Gray's photo is black and white. (At least it was printed in the magazine in black and white.) The acrylic paints (a beginner set I bought) are really good.

I think your supposition about the Eagle III is correct. Like the rigids of the time, it was too complicated. (Just my opinion given that I never even saw the real thing.) In addition, although the harness and control frame made it look 'familiar' to Rogallo pilots, it seems to me it was totally dependent on the 'warperons' and rudder for turn control: The elevator control wires seem to be close under the pilot's right arm.

All I can do is speculate, but painting the picture caused me to study the thing in detail. I put some of my thoughts on it in Painting the Eagle III on my personal interests web site, and some -- those with a firmer footing -- I included in Scientific American hang glider on Hang Gliding History. There is some duplication, but I hope not too much.

Some of my speculation about its controlability in pitch is based on my experience of one of my own experimental hang gliders, which, like the Eagle III, had a 'free floating' camber. (It is speculation nonetheless.)

It would be great to have some direct info from Mike Markowski and Tom Peghiny of course. However, I have not discovered a way of contacting Mike. (Tom I know is aware of the painting.)
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